​透明電視

TVA​

​

​

試將影像從數位自身中拉伸至實體空間，不遮蓋窗戶，以反影像邏輯的操作，讓現實光影流進影像空間當中。試圖探索窗戶、窗戶灑入空間的窗光、螢幕以及螢幕反射至空間的光，這些視覺的相互關係；用投影模擬陽光的剪影，並在側邊的牆面上架設電視螢幕來呼應窗戶。

 

藉不同之視覺討論數位的透明、空白、無限與背景幕。以色光的角度將空白螢幕拆解，隨機晃動挪移三面單色光，交疊閃爍出不同的幾何色塊，背景以灰白方格填充，呼應現代熟悉的透明符號。另外，以相反的縮放呈現空白螢幕：放大，想像微觀的視角下，像素以黑色格線的視覺由全白放大致全黑；縮小，則提供一個對於數位空間的想像，並以綠光填充螢幕與邊框的縫隙。空白螢幕是否為一種透明？數位的透明色是圖像，還是無法被定義的空間。

 

Through varied visual approaches, this work examines the concepts of digital transparency, emptiness, infinity, and backdrop. From the perspective of light and color, a blank screen is deconstructed, with three monochromatic lights shifting and oscillating randomly, their overlap creating flickering geometric color blocks. The background is filled with gray-white grids, echoing the familiar symbol of transparency in contemporary visual language.

 

Additionally, the blank screen is presented through opposing scales: enlarged, it invites an imagined microscopic view where pixels, with their black gridlines, transition from pure white to pure black. When reduced, it offers an interpretation of digital space, filling the gaps between screen and frame with green light.

 

Does a blank screen embody transparency? Is digital transparency a tangible image, or an undefinable spatial dimension?

​

​

2024

Dimension Variable

TV screens

Loop